AT THE HORSE PAVILIONWe lost you once,at the Horse Pavilion, on a dayof snappy wind beating five flagsabove that brilliant nightmare greenin the sun and beyond prayer but ready tolive on a diet of it for the rest of our days,we ducked and ran among faces made blank or tenderby our terror, so that we understood for the first timethat this was the way the world was truly divided:into those faces that could be startled into goodness,and those that could not, but none of them worthanything at all to us except for whatthey could tell us as we kept calling out to themthe only words left to us, A little boy!, and thecolours of the clothes you were wearing, while thepolished horses kept mindlesslyclearing gates that were hardships,but distant, whitewashed, the hardships of others,and sounds mocked us too, in that whinniedbright air--a ring of faint surf, the civil, evilsound of horsemen's applause, and we ran intoeach other and ran back and ran through thestadium of stalls and sick straw-smell and ran outinto the sun of the Pavilion's mud plazaand there you were, on the other sideof the soot track that led toward the weepinggreen park, your eyes fixed without flinchingon the main doorway, waiting for us to come outsometime before dark and we fled to you, cryingyour name and I could see in your eyeshow hard you'd been standing your groundagainst terror, how long you'd been forbiddingyourself to invent us, as if in inventing us you'd havelost all chance to see us come out to you,but how brilliant you seemed, having saved yourselffrom harm, you didn't know it, you turnedyour face to the taut thigh of my skirt,not to cry, and we walked that way,my hand holding your head to me while Icould have sworn I could feel you inhalingwhat I was thinking through the skirt's grass-engravedcotton: Until this moment I never knew what love is.
From Fortress of Chairs (1992) by Elisabeth Harvor
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