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Eva’s Three Penny Theatre is about many things, including memory, the history of theatre, life in pre- and post-war Germany and complicated family dynamics, but the real star of this book is Eva herself. Spirited and clever, Steinmetz’s Eva is also a masterful storyteller with an eye for detail. Consider her description of the poet-playwright Bertolt Brecht, whose path crossed hers in 1928, when, at the age of 16, Eva performed in the first workshop production of Brecht’s The Threepenny Opera: He had, she recalls unabashedly, “the potato head of a peasant.”
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