Showing posts with label Anstruther Press. Show all posts
Showing posts with label Anstruther Press. Show all posts

Sunday, 26 June 2016

Sunday Poem



WAX LYRICAL

One day I take a little razor and shave it all off.
Looking obscenely young, I admire myself,
head bent or staring forward in a mirror.
Cool and young and sexy,
I’m available, stripped to possibility.
Discover me or I need to discover myself.
For in the shower every drop of water is felt.
I am exposed and experience it as an intrusion.
Hair is an extra layer of skin, a means not to feel.
Being now so naked I sense my modesty even with clothes on.
Edge a blade across my most intimate skin,
a clean, marble look, with a slight rose glow.
By evening, there is a blue tinge,
little heads below the skin,
a female five o’clock shadow.
Shaving then isn’t an option.
It speeds growth and thickens the bush.
It leaves a latent feel of uncleanliness.

I try waxing a stylish square of hair.
Return to a woman where I don’t mind unfolding my legs.
She touches without fearing the smell of me.
Obviously one showers comprehensively
before such an intimate appointment.
She cleans me up and pats me dry like a baby.
But after, the sides are red,
the pores stand out,
bruised,
little specks of blood where tough hairs were extracted,
discolorations in the soft folds between thigh and pelvis,
a bikini wax gone wrong, the sensitivity
of my pubis renders it unsightly.
After a number of days the region temporarily
settles into cinematic perfection.
Before the hair grows out, still too short to redo.
There’s an acid lotion that eats away the hair.
You smear it on like cream,
wait,
scrape it off with a pink plastic tool,
scared to burn your fingers
while lathering it directly on intimacy.
It stinks of putrefaction and dissolution of tissue.
Why complain, professionals say,
laser hair removal is permanent.
Permanence sounds traditional. I flee.

Initially when I decided to tidy up pubic hair,
I was told, there are styles, you need to choose an identity.
Do you want nothing,
a strip of hair,
a pattern?
If you leave some, will it be trimmed or naturally curled?
People like to say, au naturel, as if it’s funny
or an aesthetic choice to be yourself.
Hair has a life of its own. It splits,
devilish,
two hairs per root.
It bursts through the surface, pubescence vying with maturity.
Or it won’t grow at all, sticking beneath the skin,
a type of pelvic acne. I read somewhere,
who cares, just pop them as you’d do on your face
I’m shocked, can’t believe what I see.

It’s all about surface.
To do with connecting the inner and outer planes
of body, while also destructing
the flatness of skin.
When hair is removed, uniformity is installed.
Feeling the leg, so smooth, but empty.
One-sided touch, a hand running along skin,
but body not reaching back.
Surface can mean that which is obvious,
or that which is not obvious at all.
Like the area of my visible body, a first superficial layer.
Like what still needs to surface, what is hidden deeper.
It’s in submission then, with a gesture of penitence,
that one day I start removing my body hair one by one,
plucking each out with a pair of tweezers.
The guilt of imperfection weighs me down.
I sense that my body is in the wrong.
It should be crystal clear.
By Klara du Plessis, from Wax Lyrical (Anstruther Press, 2015)

Sunday, 1 May 2016

Sunday Poem

INCLUSION 
First was the claw and the claw
clasping clay, closing in breath. 
More turns to them than to sea-snails,
brain and gut ravelled like yarn 
into clews to be threaded through.
Like Theseus, I was closed-in 
with an abomination of bestial desire:
she wanted to be nailed by a bull 
and she did a bull and bore
a bull-of-a-thing with a menacing club. 
It's with this thought that I'm locked,
throughout this maze that I travel. 
I've no key, no clue: only minatory echoes
and shadows to see it through.

By Asa Boxer, from Etymologies (with essay by David-Antoine Williams, 
Anstruther Press, 2016)

Sunday, 25 October 2015

Sunday Poem


FISH & BIRD 
The smallest cut has the fewest needs,
least of all attention. The largest cut's
requirements surpass our abilities.
It is impossible to find unless stumbled
upon, and then proves challenging to categorize.
Recognizable as flesh, is not slash or butterfly,
lance or scrape; neither prepared event or accident.
It exists between, a split not quite in twain.
The largest cut possesses unreachable depths
and blind, frightening fish. It's unlimited closets,
hidden attics, shakes with captured wind
from flapping birds' wings. To call it a sinkhole
wouldn't be totally wrong. The smallest cut
is your childhood and every memory a splinter.
The largest cut is your unused potential, a void
beckoning with ancestral moans like everything
you couldn't say, and everything you did.
By Allison LaSorda, from Playdate (Anstruther Press, 2015). 

Sunday, 1 February 2015

Sunday Poem


Blackbird, give me back my dream!
the moon you woke me to
is misted 
—Onitsura

From Death Calls (Anstruther Press, 2015) by Marc di Saverio

Sunday, 14 December 2014

Sunday Poem

GIVEN

The secrets of losing recede until regret
is the only expression: instruct in error,

in the luck that flung you into wonder.
I've held you evenings in a briarpatch,
spitting lullabyes that permit a temporary claim.

Song of diamond, ease, mortal wound, the shared cry
that you were never mine as I am not yours. 
Fathers distinguish love's night terrors from dreams,
years on. Your own sons will long
for bedtime stories, and you too will spill
the secret I'm trying to tell: our feelings are am,

what will be. By day we play, are hurt within
protectorates of choice. I can't choose.
You were given to me. To lose.

From We Need Our Names (Anstruther Press, 2014) by Shane Neilson