Wednesday, 27 March 2013
"I learned that making poems is not just about reading deeply and writing liberally and adventurously, but also about allowing oneself to become an obsessive noticer. Having come from a film background, I started thinking of myself as a roving camera. I’d fall across things, quite literally: a girl eating the pages of a book in the library, a bearded fellow taking his socks off in a waiting room, a dead opossum blocking the entryway to the corner 7-11, a man slapping a sobbing woman in the cab of a pickup. Everything was important and relevant."