Is Ambition a Healthy Part of Literary Life?

Christian Wiman doesn't think so:

I once believed in some notion of a pure ambition, which I defined as an ambition for the work rather than for oneself, but I’m not sure I believe in that anymore. If a poet’s ambition were truly for the work and nothing else, he would write under a pseudonym, which would not only preserve that pure space of making but free him from the distractions of trying to forge a name for himself in the world. No, all ambition has the reek of disease about it, the relentless smell of the self—except for that terrible, blissful feeling at the heart of creation itself, when all thought of your name is obliterated and all you want is the poem, to be the means wherein something of reality, perhaps even something of eternity, realizes itself. That is noble ambition. But all that comes after—the need for approval, publication, self-promotion: isn’t this what usually goes under the name of “ambition”? The effort is to make ourselves more real to ourselves, to feel that we have selves, though the deepest moments of creation tell us that, in some fundamental way, we don’t. (What could be more desperate, more anxiously vain, than the ever-increasing tendency to Google oneself?) So long as your ambition is to stamp your existence upon existence, your nature on nature, then your ambition is corrupt and you are pursuing a ghost.

Illustration by Brian Stauffer